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exciting developments with my new book and some thoughts on agents

11/4/2014

2 Comments

 
I'm just back from London, where I had a meeting with my agent, Simon, to discuss my new book. Good news - he likes it! More than that, he was pretty excited about the whole project. He instantly understood what I was trying to achieve, and was keen to read the rest. So I thought I'd share the news, which is a massive relief after months of working on this book.

As well as praise, my agent had some excellent suggestions. He has a great gift for seeing a project as a whole and winnowing out what is most important from what is extraneous or stilted, more 'scaffolding' than real writing. So the book is going to have a new title (there was always a choice of two, and Simon could see more clearly than I could which was the natural one). It is going to remain in the third person, rather than shifting into first person as I had thought it might. It is also - thanks to a particularly brilliant and rather high-concept idea which I can't claim any credit for - going to have a different structure, one which really pulls together the various threads of the narrative. The book (like many early drafts, by writers both new and seasoned) had a rather awkward prologue that wasn't doing much except sitting there slightly pompously at the start of each section, clearing its throat. Instead of this, it's going to have something more exciting and immediate, truer to the real story at the heart of it all.

I got back to my desk with a clear sense of the path I need to follow in order to get the rest of this story finished. It's a story which I believe in passionately, and which I want to tell in the best possible way, and it has now received an enormous boost and vote of confidence. I'll be working hard over the next few months to keep the momentum going and by autumn, with a few more meetings and discussions along the way, I hope to have a completed draft. At that point I'll be able to share much more information about the book - but for now, I can tell you that it's a historical story which follows a single family over 100 years in Europe, from the First World War up to the present moment.

I'm often asked whether a writer needs an agent. You can write without one, of course - and all writers write at least their first book this way - but I don't know if you can sustain a career without one. Writing is by its nature a solitary, long-term and precarious occupation. A book can become a black hole which subsumes other elements of your life - the more so the more passionate you are about the idea that you want to bring to life. For instance, I gave up another job to work on this book. I also took the decision to write the whole thing before submitting it to my publishers - something authors routinely do when they make a significant leap in genre or style or take a creative risk, but which nevertheless means that I'm essentially working on it uncontracted. Which is why a good agent makes all the difference. Simon has discussed ideas with me from the beginning, and generated many of the best ones himself; he has reassured me that the book is worth working on, that it will find an audience; and he has got me out of a lot of creative dead ends and blind alleys along the way. Having support from an agent means that there are two of you who rise and fall on the success or failure of the book, two people invested in its fortunes, two critical sets of eyes for when it isn't working out - and two people to celebrate when it does. If you're in it for the long haul, you're probably going to need an agent alongside you.
2 Comments
Claire Fuller link
11/4/2014 09:07:40 am

A really interesting post. And relevant to the stage I'm at - currently writing my second book, with an agent, but with only a contract for my first one.
How polished or finished was the manuscript you showed to your agent for this book? I'm concerned if I show mine to my agent too early it will be too rough, but if I show it too late she may come up with brilliant ideas that I should have known about sooner.
Claire

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Catherine Banner link
11/4/2014 10:55:17 am

Hi Claire,
I'm so pleased you found the post interesting - especially as your wonderful-sounding first book is already on my to-read list.
I think when you show the book to your agent depends on whether you think it would be helpful for you, creatively, to have someone else guide and shape the work - and whether your agent is happy to do this (all agents seem to have different approaches). My agent asked from the beginning if he could be part of the development process for the new book, which was great. He discussed the ideas with me before I had written anything, and read some rough chapters and a synopsis a couple of months ago as well as the more polished chapters I showed to him this week. But I'm only a quarter of the way through the book, so it certainly isn't finished! I tend to just point out to him the parts that I feel are rougher or that I'm struggling with. That way he knows I'm not showing him something with serious flaws thinking that it's perfect and finished. Usually we seem to agree about which bits are naff and which are successful, but he's certainly helped me through some creative ruts which I'd still be stuck in otherwise. Before this I had a three-book contract and never showed anything to anyone until it was completely finished - but I couldn't go back to working like that now!
Very good luck with your book. I'd love to hear how the process goes.
All the best,
Catherine

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